AVECILLAS SONORAS

Composer(s): Various

Artist(s): Música Temprana

 21,50

Listen on your favorite streaming serviceSpotify IconSpotify
Listen on your favorite streaming serviceSpotify IconSpotify

Avecillas Sonoras is a selection vocal works for two voices from the rich archives of the Latin American cathedrals. Most of them are villancicos dating from the early 18th century. The villancico is characterized by a combination of lively rhythms. This and other characteristics can be traced back to the development of Spanish baroque music. In the second half of the 17th century Spanish musicians began to compose in a different way by introducing the triple- time. Within a polyphonic and madrigal-like framework, it is precisely this rhythmic characteristic that brings out the richest, most virtuoso and varied qualities of this music. The best-known villancicos are those written for Christmas, with Gascons, gypsies, Africans, Galicians, or Indians as shepherds.

Adrián Rodriguez Van der Spoel: "Many of the villancicos have notations for only one voice left, and lack any accompaniment, so reconstructing them was essential for us. Apart from inventing new musical notes, reconstruction also meant maintaining a certain authenticity in the spirit of the performance. That is why we use historic instruments and follow the principles of the contemporary musicological writings. We also try to express this authenticity in the way we play: in the spirit of our traditional music, as it has been passed on to us by our parents."

Started by Adrián Rodríguez Van der Spoel in 2001, Música Temprana specializes in the interpretation of Latin American Baroque music. So far, the ensemble has given concerts in the Netherlands, Belgium, Finland, France, Sweden, and Bolivia. The members of Música Temprana are professional musicians, acquainted with the performance practices of the traditional music of their countries of origin (Argentina, Chile, Mexico, Brazil, and Spain). The ensemble deliberately conveys the popular, traditional characteristics of the repertoire they play. Many musicians with whom Música Temprana works stand in this tradition and have been partly formed by it. Therefore they are not censorious of their musical instincts. Xenia Meijer from The Netherlands, and Marisú Pavón from Argentina are specialists in Spanish and Latin America.

1. Villancico: Avecillas Sonoras
Composer: Juan De Araujo
Artist(s): Música Temprana

2. Verso 14, 15
Composer: Domenico Zipoli
Artist(s): Música Temprana

3. Villancico: Duerme Rosa y Descansa
Composer: Sebastián Durón
Artist(s): Música Temprana

4. Los Imposibles
Composer: Santiago De Murcia
Artist(s): Música Temprana

5. Romance: Entre Dos Álamos Verdes
Composer: Anonymous (17th century, Peru)
Artist(s): Música Temprana

6. Tonada: Yo Se Que No He De Ganar
Composer: Anonymous (17th century, Peru)
Artist(s): Música Temprana

7. Canción: Dime Pedro
Composer: Manuel Correa
Artist(s): Música Temprana

8. Villancio: De Esta Rosa Tan Bella
Composer: Tomás De Torrejón Y Velasco
Artist(s): Música Temprana

9. Quitasol
Composer: Domenico Zipoli
Artist(s): Música Temprana

10. Villancico: Con Tan Tierno Ilanto
Composer: Roque Jacinto Chavarria
Artist(s): Música Temprana

11. Villancico: Jesús, Jesús, Jesús, Y Lo Que Sube
Composer: Manuel Joseph De Quirós
Artist(s): Música Temprana

12. Al Verde Retamar
Composer: Santiago De Murcia
Artist(s): Música Temprana

13. Tono Humano: Disfrazado De Pastor
Composer: Juan Hidalgo
Artist(s): Música Temprana

14. Villancico Negro: Tarará, Qui Yo Soy Antón
Composer: Antonio De Salazar
Artist(s): Música Temprana

15. Villancico:!Pasitico, Arroyuelos!
Composer: Antonio Durán De La Mota
Artist(s): Música Temprana

16. Cumbée
Composer: Santiago De Murcia
Artist(s): Música Temprana

17. Canción: Cavallero De Armas Blancas
Composer: Pedro Ximenez
Artist(s): Música Temprana

18. Villancico: Gemid Con El Ilanto
Composer: Antonio Durán De La Mota
Artist(s): Música Temprana

19. Jácara: Oigan, Escuchen, Atiendan
Composer: Manuel Mesa Y Carrizo
Artist(s): Música Temprana

Artists

Composers

, , , , , , , , , , , ,

Reviews

There are no reviews yet.

Be the first to review “AVECILLAS SONORAS”
Shopping Cart
AVECILLAS SONORAS
 21,50
Listen on your favorite streaming serviceSpotify IconSpotify
Listen on your favorite streaming serviceSpotify IconSpotify

Avecillas Sonoras is a selection vocal works for two voices from the rich archives of the Latin American cathedrals. Most of them are villancicos dating from the early 18th century. The villancico is characterized by a combination of lively rhythms. This and other characteristics can be traced back to the development of Spanish baroque music. In the second half of the 17th century Spanish musicians began to compose in a different way by introducing the triple- time. Within a polyphonic and madrigal-like framework, it is precisely this rhythmic characteristic that brings out the richest, most virtuoso and varied qualities of this music. The best-known villancicos are those written for Christmas, with Gascons, gypsies, Africans, Galicians, or Indians as shepherds.

Adrián Rodriguez Van der Spoel: "Many of the villancicos have notations for only one voice left, and lack any accompaniment, so reconstructing them was essential for us. Apart from inventing new musical notes, reconstruction also meant maintaining a certain authenticity in the spirit of the performance. That is why we use historic instruments and follow the principles of the contemporary musicological writings. We also try to express this authenticity in the way we play: in the spirit of our traditional music, as it has been passed on to us by our parents."

Started by Adrián Rodríguez Van der Spoel in 2001, Música Temprana specializes in the interpretation of Latin American Baroque music. So far, the ensemble has given concerts in the Netherlands, Belgium, Finland, France, Sweden, and Bolivia. The members of Música Temprana are professional musicians, acquainted with the performance practices of the traditional music of their countries of origin (Argentina, Chile, Mexico, Brazil, and Spain). The ensemble deliberately conveys the popular, traditional characteristics of the repertoire they play. Many musicians with whom Música Temprana works stand in this tradition and have been partly formed by it. Therefore they are not censorious of their musical instincts. Xenia Meijer from The Netherlands, and Marisú Pavón from Argentina are specialists in Spanish and Latin America.