LAMENTATIONS / SONATA FOR RECORDER & BASSO CONTINUO

Composer(s): Joseph-Hector Fiocco, Pietro Antonio Fiocco

Artist(s): Various Artists
Reference: KTC1544
Barcode: 8711801015446
Format: 1 CD
Release date: 2017-03-27
SKU: KTC1544 Categories: ,

€ 21,50

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The Lamentations of Joseph-Hector Fiocco: A Revelation

In the period following the brilliant blossoming of poly­phonic art in the 15th and 16th centuries, the Low Countries were relegated to little more than a musical province of Italy and France. Starting from ca. 1600, the Low Countries ceased to play the leading role on the western European musical scene: from this moment on, composers from other countries would dictate the leading fashions of the day, the innovative tendencies of which gradually permeated the musical life of the region. Among the most remarkable of these innovations was ‘accompanied monody’: polyphony’s complex interplay of independ­ent yet intertwined voices gave way to the domination of one single voice, supported by an instrumental bass part, the ‘basso continuo’. This bass part was often performed by several instruments, including those which could play chords — such as the lute, harpsichord or organ — and others — such as the viola da gamba, cello or bassoon — which carried the melody.

Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst, Peter van Heyghen

1. Première lamentation du Mercredi saint in A Minor: I. Incipit lamentatio
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

2. Première lamentation du Mercredi saint in A Minor: II. Beth. Plorans ploravit
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

3. Première lamentation du Mercredi saint in A Minor: III. Ghimel. Migravit Judas
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

4. Première lamentation du Mercredi saint in A Minor: IV. Daleth. Viae Sion lugent
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

5. Première lamentation du Mercredi saint in A Minor: V. He. Facti sunt hostes
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

6. Première lamentation du Mercredi saint in A Minor: VI. Parvuli ejus
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

7. Seconde leçon du Jeudi saint in C Minor: I. Lamed. Matribus suis
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

8. Seconde leçon du Jeudi saint in C Minor: II. Mem. Cui comparabo te
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

9. Seconde leçon du Jeudi saint in C Minor: III. Prophetae tui viderunt tibi
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

10. Seconde leçon du Jeudi saint in C Minor: IV. Samech
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

11. Seconde leçon du Jeudi saint in C Minor: V. Plauserunt super te
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

12. Sonata in C Major for Recorder and basso continuo: I. Adagio
Composer: Pietro Antonio Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

13. Sonata in C Major for Recorder and basso continuo: II. Presto
Composer: Pietro Antonio Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

14. Sonata in C Major for Recorder and basso continuo: III. Adagio
Composer: Pietro Antonio Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

15. Sonata in C Major for Recorder and basso continuo: IV. Presto
Composer: Pietro Antonio Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

16. Deuxième leçon du Mercredi saint in E Minor: I. Vau. Et egressus est
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

17. Deuxième leçon du Mercredi saint in E Minor: II. Teth. Sordes ejus
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

18. Première lamentation du Jeudi saint in G Minor: I. De lamentatione
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

19. Première lamentation du Jeudi saint in G Minor: II. Defixae sunt in terra
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

20. Première lamentation du Jeudi saint in G Minor: III. Jod. Sederunt in terra
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

21. Première lamentation du Jeudi saint in G Minor: IV. Defecerunt prae lacrimis
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

22. Sonata in G Minor for Recorder and basso continuo: I. Grave
Composer: Pietro Antonio Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

23. Sonata in G Minor for Recorder and basso continuo: II. Vivace-Largo
Composer: Pietro Antonio Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

24. Sonata in G Minor for Recorder and basso continuo: III. Allegro
Composer: Pietro Antonio Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

25. Deuxième leçon pour le Vendredi saint in B-Flat Major: I. Aleph. Quomodo obscuratum
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

26. Deuxième leçon pour le Vendredi saint in B-Flat Major: II. Beth. Filii Sion inclyti
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

27. Deuxième leçon pour le Vendredi saint in B-Flat Major: III. Sed et lamiae
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

28. Deuxième leçon pour le Vendredi saint in B-Flat Major: IV. Daleth
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

29. Deuxième leçon pour le Vendredi saint in B-Flat Major: V. Adhaesit lingua lactentis
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

30. Deuxième leçon pour le Vendredi saint in B-Flat Major: VI. He. Qui vescebantur voluptuose
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

31. Deuxième leçon pour le Vendredi saint in B-Flat Major: VII. T major effecta est
Composer: Joseph-Hector Fiocco
Artist(s): Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst & Peter van Heyghen

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LAMENTATIONS / SONATA FOR RECORDER & BASSO CONTINUO
€ 21,50
Listen on your favorite streaming serviceSpotify IconSpotify
Listen on your favorite streaming serviceSpotify IconSpotify

The Lamentations of Joseph-Hector Fiocco: A Revelation

In the period following the brilliant blossoming of poly­phonic art in the 15th and 16th centuries, the Low Countries were relegated to little more than a musical province of Italy and France. Starting from ca. 1600, the Low Countries ceased to play the leading role on the western European musical scene: from this moment on, composers from other countries would dictate the leading fashions of the day, the innovative tendencies of which gradually permeated the musical life of the region. Among the most remarkable of these innovations was ‘accompanied monody’: polyphony’s complex interplay of independ­ent yet intertwined voices gave way to the domination of one single voice, supported by an instrumental bass part, the ‘basso continuo’. This bass part was often performed by several instruments, including those which could play chords — such as the lute, harpsichord or organ — and others — such as the viola da gamba, cello or bassoon — which carried the melody.

Anne Mertens, Wieland Kuijken, Richte van der Meer, Kris Verhelst, Peter van Heyghen