CONCERTI PER LA PIETA

Composer(s): Antonio Vivaldi

Artist(s): Il Gardellino
Reference: KTC4000
Barcode: 8711801040004
Format: 1 CD
Release date: 2017-04-04
SKU: KTC4000 Categories: ,

€ 21,50

Vivaldi’s music-historical importance is indisputable. With the exception of Telemann, no other composer until Mozart produced so much cham­ber music of such a superlative quality. Just like Ludwig van Beethoven, he was an inexhaustible source of inspiration for every composer who followed him. He provided models for instrumental music and he refined the idiom and the technical possibilities of virtually évery instru­ment for which he wrote. His concertos for recorder RV 441 and 445 are excellent illustrations of this. According to Vivaldi expert Michael Talbot, Vivaldi’s importance actually extends even further than this: one can consider hirn as a forerunner of musical romanticism, not only for the expressive power of his programme music, but also and primarily because he always considered direct expression more important than perfection in the details.

1. Concerto in D Minor, RV 535: I. Largo – allegro
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

2. Concerto in D Minor, RV 535: II. Largo
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

3. Concerto in D Minor, RV 535: III. Allegro molto
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

4. Concerto in G Minor, RV 439 / Op. 10 No. 2 ‘La Notte’: I. Largo
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

5. Concerto in G Minor, RV 439 / Op. 10 No. 2 ‘La Notte’: II. Fantasmi (Presto)
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

6. Concerto in G Minor, RV 439 / Op. 10 No. 2 ‘La Notte’: III. Largo
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

7. Concerto in G Minor, RV 439 / Op. 10 No. 2 ‘La Notte’: IV. Presto
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

8. Concerto in G Minor, RV 439 / Op. 10 No. 2 ‘La Notte’: V. Il sonno (Largo)
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

9. Concerto in G Minor, RV 439 / Op. 10 No. 2 ‘La Notte’: VI. Largo
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

10. Concerto in D Major, RV 428 / Op. 10 No. 3 ‘Del Gardellino’: I. Allegro
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

11. Concerto in D Major, RV 428 / Op. 10 No. 3 ‘Del Gardellino’: II. Largo
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

12. Concerto in D Major, RV 428 / Op. 10 No. 3 ‘Del Gardellino’: III. Allegro
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

13. Concerto in F Major, RV 433 / Op. 10 No. 1 ‘La tempesta di mare’: I. Allegro
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

14. Concerto in F Major, RV 433 / Op. 10 No. 1 ‘La tempesta di mare’: II. Larghetto
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

15. Concerto in F Major, RV 433 / Op. 10 No. 1 ‘La tempesta di mare’: III. Allegro
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

16. Concerto in C Minor, RV 441: I. Allegro non molto
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

17. Concerto in C Minor, RV 441: II. Largo
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

18. Concerto in C Minor, RV 441: III. Allegro
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

19. Concerto in A Minor, RV 445: I. Allegro
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

20. Concerto in A Minor, RV 445: II. Larghetto
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

21. Concerto in A Minor, RV 445: III. Allegro
Composer: Antonio Vivaldi
Artist(s): Il Gardellino

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CONCERTI PER LA PIETA
€ 21,50
Vivaldi’s music-historical importance is indisputable. With the exception of Telemann, no other composer until Mozart produced so much cham­ber music of such a superlative quality. Just like Ludwig van Beethoven, he was an inexhaustible source of inspiration for every composer who followed him. He provided models for instrumental music and he refined the idiom and the technical possibilities of virtually évery instru­ment for which he wrote. His concertos for recorder RV 441 and 445 are excellent illustrations of this. According to Vivaldi expert Michael Talbot, Vivaldi’s importance actually extends even further than this: one can consider hirn as a forerunner of musical romanticism, not only for the expressive power of his programme music, but also and primarily because he always considered direct expression more important than perfection in the details.