WORKS FOR FORTEPIANO, VOL. VI

Composer(s): Franz Schubert

Artist(s): Jan Vermeulen
Reference: KTC1335
Barcode: 8711801101804
Format: 2 CD
Release date: 2010-06-01
SKU: KTC1335 Categories: ,

 21,50

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At the time of his death on the 16th of October 1621, the fifty-nine-year-old Jan Pieterszoon Sweelinck was renowned throughout Europe. Although Sweelinck never travelled abroad, he had achieved celebrity status. His music led not only his contemporaries, but provided an example for later generations, although they used other compositional devises. And all of the compositional techniques which had been developed during the Renaissance were masterfully adapted and integrated by him.

His chansons and madrigals along with the 2- and 3-part ‘Rimes’ are rare jewels in vocal chamber music literature. They show us how cultivated Sweelinck was. It is of paramount importance to emphasize that Sweelinck was Dutch par excellence. His works replace spectacular dramatic effects and monumental forms with a love for detail, picturesque expression and balance – characteristics found also in Dutch painting and poetry. As melodious as his compositions sound, their beauty lies far from the surface and unfolds only through deeper understanding.

The Nederlands Kamerkoor is an all-round ensemble that has mastered all facets of choral music. They perform these works in collaboration with renowned conductors and specialists such as Uwe Gronostay, Reinbert de Leeuw, Eric Ericson and Stephen Layton.

Peter Phillips has made an impressive if unusual reputation for himself in dedicating his life"s work to the research and performance of Renaissance polyphony. He founded the Tallis Scholars and continues to work with other specialist ensembles like the Collegium Vocale of Ghent.

Philippe Herreweghe"s vivid, authentic and rhetorical approach of baroque music was praised everywhere from 1970 onwards.

Jan Boeke (1921-1993) began his musical training with Anthon van der Horst and Gustav Leonhardt. He continued his studies at the Schola Cantorum Basiliensis. Jan Boeke was active as an instructor at the Sweelinck Conservatoyr of Amsterdam from 1960 until 1985.

CD 1

1. Sonata in D Major, D. 850: I. Allegro
Composer: Franz Schubert
Artist(s): Jan Vermeulen

2. Sonata in D Major, D. 850: II. Con moto
Composer: Franz Schubert
Artist(s): Jan Vermeulen

3. Sonata in D Major, D. 850: III. Scherzo: Allegro vivace
Composer: Franz Schubert
Artist(s): Jan Vermeulen

4. Sonata in D Major, D. 850: IV. Rondo: Allegro moderato
Composer: Franz Schubert
Artist(s): Jan Vermeulen

5. Ungarische Melodie in B Minor, D. 817
Composer: Franz Schubert
Artist(s): Jan Vermeulen

6. Adagio in E Major, D. 612
Composer: Franz Schubert
Artist(s): Jan Vermeulen

7. Marsch in E Major, D. 606
Composer: Franz Schubert
Artist(s): Jan Vermeulen

8. Allegretto in C Minor, D. 915
Composer: Franz Schubert
Artist(s): Jan Vermeulen

9. Variation über einen Walzer von Anton Diabelli in C Minor, D. 718
Composer: Franz Schubert
Artist(s): Jan Vermeulen

CD 2

1. Dreizehn Variationen über ein Thema von Anselm Hüttenbrenner in A Minor, D. 576
Composer: Franz Schubert
Artist(s): Jan Vermeulen

2. Sonata in A Flat Major, D. 557: I. Allegro moderato
Composer: Franz Schubert
Artist(s): Jan Vermeulen

3. Sonata in A Flat Major, D. 557: II. Andante
Composer: Franz Schubert
Artist(s): Jan Vermeulen

4. Sonata in A Flat Major, D. 557: III. Allegro
Composer: Franz Schubert
Artist(s): Jan Vermeulen

5. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 1 in A Major
Composer: Franz Schubert
Artist(s): Jan Vermeulen

6. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 2 in A Major
Composer: Franz Schubert
Artist(s): Jan Vermeulen

7. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 3 in A Minor
Composer: Franz Schubert
Artist(s): Jan Vermeulen

8. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 4 in A Minor
Composer: Franz Schubert
Artist(s): Jan Vermeulen

9. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 5 in A Minor
Composer: Franz Schubert
Artist(s): Jan Vermeulen

10. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 6 in C Major
Composer: Franz Schubert
Artist(s): Jan Vermeulen

11. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 7 in G Major
Composer: Franz Schubert
Artist(s): Jan Vermeulen

12. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 8 in D Major
Composer: Franz Schubert
Artist(s): Jan Vermeulen

13. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 9 in B Major
Composer: Franz Schubert
Artist(s): Jan Vermeulen

14. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 10 in B Minor
Composer: Franz Schubert
Artist(s): Jan Vermeulen

15. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 11 in B Major
Composer: Franz Schubert
Artist(s): Jan Vermeulen

16. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 12 in E Flat Minor
Composer: Franz Schubert
Artist(s): Jan Vermeulen

17. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 13 in B Flat Minor
Composer: Franz Schubert
Artist(s): Jan Vermeulen

18. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 14 in D Flat Major
Composer: Franz Schubert
Artist(s): Jan Vermeulen

19. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 15 in D Flat Major
Composer: Franz Schubert
Artist(s): Jan Vermeulen

20. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 16 in A Flat Major
Composer: Franz Schubert
Artist(s): Jan Vermeulen

21. Siebzehn Deutsche Tänze, genannt ‘Ländler’, D. 366: 17, Allemande in E Flat Major
Composer: Franz Schubert
Artist(s): Jan Vermeulen

22. Sonata in C Major, D. 279: I. Allegro moderato
Composer: Franz Schubert
Artist(s): Jan Vermeulen

23. Sonata in C Major, D. 279: II. Andante
Composer: Franz Schubert
Artist(s): Jan Vermeulen

24. Sonata in C Major, D. 279: III. Menuetto. Allegro vivace
Composer: Franz Schubert
Artist(s): Jan Vermeulen

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WORKS FOR FORTEPIANO, VOL. VI
 21,50
Listen on your favorite streaming service:Spotify IconSpotify
Listen on your favorite streaming service:Spotify IconSpotify

At the time of his death on the 16th of October 1621, the fifty-nine-year-old Jan Pieterszoon Sweelinck was renowned throughout Europe. Although Sweelinck never travelled abroad, he had achieved celebrity status. His music led not only his contemporaries, but provided an example for later generations, although they used other compositional devises. And all of the compositional techniques which had been developed during the Renaissance were masterfully adapted and integrated by him.

His chansons and madrigals along with the 2- and 3-part ‘Rimes’ are rare jewels in vocal chamber music literature. They show us how cultivated Sweelinck was. It is of paramount importance to emphasize that Sweelinck was Dutch par excellence. His works replace spectacular dramatic effects and monumental forms with a love for detail, picturesque expression and balance – characteristics found also in Dutch painting and poetry. As melodious as his compositions sound, their beauty lies far from the surface and unfolds only through deeper understanding.

The Nederlands Kamerkoor is an all-round ensemble that has mastered all facets of choral music. They perform these works in collaboration with renowned conductors and specialists such as Uwe Gronostay, Reinbert de Leeuw, Eric Ericson and Stephen Layton.

Peter Phillips has made an impressive if unusual reputation for himself in dedicating his life"s work to the research and performance of Renaissance polyphony. He founded the Tallis Scholars and continues to work with other specialist ensembles like the Collegium Vocale of Ghent.

Philippe Herreweghe"s vivid, authentic and rhetorical approach of baroque music was praised everywhere from 1970 onwards.

Jan Boeke (1921-1993) began his musical training with Anthon van der Horst and Gustav Leonhardt. He continued his studies at the Schola Cantorum Basiliensis. Jan Boeke was active as an instructor at the Sweelinck Conservatoyr of Amsterdam from 1960 until 1985.