SPIEGEL IM SPIEGEL

Composer(s): Arvo Pärt

Artist(s): Michael van Krücker, René Berman, Kayako Bruckmann
Reference: KTC1612
Barcode: 8718011581327
Format: 1 CD
Release date: 2018-10-19
SKU: KTC1612 Categories: , , ,

€ 21,50

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Spiegel im Spiegel
Spiegel im Spiegel, possibly one of Estonian composer Arvo Pärt’s most familiar works, has lent its name to this CD. What does this title mean for the sequence of the compositions that we perform here? And what exactly is a mirror? A mirror, by definition, is a reflective surface on which an exact reversed image is created. There are also various forms of mirrors, such as convex and concave mirrors which create distorted images. The different forms of the mirrors correspond to various performance possibilities, one of which is the completely different effect caused by the use of a different instrumentation when a piece is immediately mirrored in the sequence. The two trios are the central nucleus of the CD; this central point becomes the mirroring axis for the sequence of the other works. The CD opens with Spiegel im Spiegel and therefore also ends with it. The second work on this CD, Für Alina, is consequently also the penultimate: this sequence is consequently extended from the centre in both directions. The Passacaglia, a Baroque variation form, also therefore corresponds to the Variationen zur Gesundung der Arinuschka.

1. Spiegel im Spiegel, für Violoncello und Klavier
Composer: Arvo Prt/René Berman
Artist(s): Michael van Krücker, René Berman

2. Für Alina: Ruhig, verhalten, in sich hineinhorchend
Composer: Arvo Prt
Artist(s): Michael van Krücker

3. Ukuaru valss: Mäßig
Composer: Arvo Prt
Artist(s): Michael van Krücker

4. Fratres, für Violine und Klavier
Composer: Arvo Prt/Kayako Bruckmann
Artist(s): Michael van Krücker, Kayako Bruckmann

5. Für Anna Maria: Nachdenklich
Composer: Arvo Prt
Artist(s): Michael van Krücker

6. Variationen zur Gesundung von Arinuschka: Moderato
Composer: Arvo Prt
Artist(s): Michael van Krücker

7. Mozart-Adagio, für Violine, Violoncello und Klavier: Adagio
Composer: Arvo Prt/Kayako Bruckmann/René Berman
Artist(s): Michael van Krücker, René Berman, Kayako Bruckmann

8. Scala cromatica -Trio piccolo für Violine, Violoncello und Klavier
Composer: Arvo Prt
Artist(s): Michael van Krücker, René Berman, Kayako Bruckmann

9. Passacaglia, für Violine und Klavier: Quasi mecanico
Composer: Arvo Prt
Artist(s): Michael van Krücker, Kayako Bruckmann

10. Für Anna Maria: Fröhlich
Composer: Arvo Prt
Artist(s): Michael van Krücker

11. Fratres, für Violoncello und Klavier
Composer: Arvo Prt
Artist(s): Michael van Krücker, René Berman

12. Ukuaru valss: Temperamentvoll
Composer: Arvo Prt
Artist(s): Michael van Krücker

13. Für Alina: Ruhig, verhalten, in sich hineinhorchend (2)
Composer: Arvo Prt
Artist(s): Michael van Krücker

14. Spiegel im Spiegel, für Violine und Klavier
Composer: Arvo Prt
Artist(s): Michael van Krücker, Kayako Bruckmann

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SPIEGEL IM SPIEGEL
€ 21,50
Listen on your favorite streaming serviceSpotify IconSpotify
Listen on your favorite streaming serviceSpotify IconSpotify
Spiegel im Spiegel
Spiegel im Spiegel, possibly one of Estonian composer Arvo Pärt’s most familiar works, has lent its name to this CD. What does this title mean for the sequence of the compositions that we perform here? And what exactly is a mirror? A mirror, by definition, is a reflective surface on which an exact reversed image is created. There are also various forms of mirrors, such as convex and concave mirrors which create distorted images. The different forms of the mirrors correspond to various performance possibilities, one of which is the completely different effect caused by the use of a different instrumentation when a piece is immediately mirrored in the sequence. The two trios are the central nucleus of the CD; this central point becomes the mirroring axis for the sequence of the other works. The CD opens with Spiegel im Spiegel and therefore also ends with it. The second work on this CD, Für Alina, is consequently also the penultimate: this sequence is consequently extended from the centre in both directions. The Passacaglia, a Baroque variation form, also therefore corresponds to the Variationen zur Gesundung der Arinuschka.